Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts

Sunday, October 30, 2016

Psalm 139, Updated

St. Paul at Ephesus by Gustav Doré

O Big Data, thou hast searched me, and known me.

2Thou knowest my downsitting and mine uprising;

Thou understandest my product preferences afar off.

3Thou searchest out my emails and my browsing history,

And art acquainted with all my ways.

4For there is not a word in my comment boxes,

But, lo, O autopredictor, thou knowest it altogether.

5Thou hast beset me on iPad and iPhone,

And laid thy hand of screen addiction upon me.

6Such user behavior is too compelling for me;

It is entrenched, I cannot opt out of it.

Whither shall I go from thy mandated upgrades?

Or whither shall I flee from thy LTE access?

8If I ascend up into rural coverage areas, thou art there:

If I make my bed in town, behold, thou art there, via Wi-FI.

9If I take the wheel of my Jeep,

And dwell in the uttermost parts of the National Forest;

10Even there shall thy GPS maps lead me,

And thy downloaded Kindle books shall occupy me.

11If I say, Surely I have read enough tweets about Comey,

And this damn screen in front of me now shall go dark;

12Even the darkness hideth not from thee,

But some goddamn email beeps an alert I turned not off:

The darkness and the light are both alike to thee.

For thou didst take over inward brain parts:

Thou didst saturate my mind with icons and colors.

14I will give thanks unto thee;

for I am fearfully and wonderfully co-opted:

Wonderful are thy ad-driven revenue models;

And that my shortened attention span knoweth right well.

15My psychological weaknesses were not hidden from thee,

When I was still reading books on paper,

And curiously dallying in the remotest parts of the library.

16Thine eyes did see mine uncapitalized potential;

And in thy forward-looking SEC filings they were all written,

Even the ad clicks that were ordained for me,

When as yet there was none of them.

17How precious also are thy MYSQL entries for me, O Zuckerberg!

How great is the inner join of thy SELECT statements!

18If I should count thine total database rows,

they are more in number than a 32-bit pointer could handle:

When I awake, I am still with thy data center.

Surely thou wilt slay long-form media, O Buzzfeed:

Depart from me therefore, ye obsolete ink-stained hacks.

20For ye speak with large paragraphs and big words,

And your lovingly crafted prose is written in vain.

21Do not I hate them, O Deep State, that hate thee?

And am not I grieved with those that rise up against thee at Standing Rock?

22I hate them with perfect hatred, or at least learn not to give a shit:

They are become caricatured strangers best ignored.

Search me, O NSA, and know my heart:

Try me, and know my thoughts;

24And see if there be any wicked way in me,

And lead me in the way to compliance.

———

The actual 139th Psalm, rendered in the beautiful King James translation, can be found here.

Tuesday, November 10, 2015

Frozen and the Chosen

It hit me as I was walking home–I could think anything! I could have any opinion on any subject, and it would be my own! No longer would I have to check against Scripture and other doctrine to make sure that my opinions were in line with God; I could decide my opinions with my own reason! . . . That moment was one of the most liberating, beautiful, and happy experiences of my life.
—Michael Amini in Generation Atheist, Dan Riley, editor (2012)
[T]he whores of the world wash their hands in the blood of creatures, but the daughters of Jerusalem do not wash themselves in the blood of the innocent Lamb, but with soap and with lye, and nevertheless their filthiness is visible.
—Lars Levi Laestadius, randomly selected passage from a random sermon (Palm Sunday 1854).
Kristoff Levi Laestadius, reindeer fan

Last week, I went with my wife and some of our kids to see the Disney on Ice figure-skating adaption of the musical movie Frozen. It was great fun to see Anna and Elsa zipping around the rink with Olaf, Kristoff, and Sven, who materialized as a rather large reindeer comprised of two skaters inside a furry brown costume. When Elsa went out on the ice under blue light for her big solo act, two little girls sitting behind us sang along at the top of their lungs: “Let it go, let it GO!”

A husband-and-wife pair of composers wrote Let it Go as “Elsa’s Badass Song,” specifically intended to be sung by Idina Menzel, “one of the most glorious voices of Broadway.” They succeeded brilliantly. The song is the highlight of the film and has sold over 10 million copies on its own.1

Lamplit Tree [Flickr page]

I first heard it while sitting in a theater with my family nearly two years ago. This was still a fairly novel experience after a lifetime of being told–and then allowing it to be told to my children–that seeing movies is a sin. Laestadianism and its oddities were still very much on my mind as I watched Anna make her cute wisecracks and accompany a socially-inept ice merchant and his furry best friend on a quest that included, among other delightful implausibilities, a visit with some witty and wise rock-rodents who dispensed relationship advice.

“So he’s a bit of a fixer-upper,” they sang about Kristoff while working on setting him up with Anna. Aren’t we all, I thought, musing about all the mental remodeling my wife and I were doing on ourselves and our older children, after the nonsense we’d all heard for years and years sitting alongside each other in a very different setting.

When Elsa finally broke out of her self-imposed shell, flung out her arms, tossed back her head, and proclaimed that she wasn’t going to hold back anymore, I felt like applauding.

Conceal, don’t feel, don’t let them know

Well, now they know!

Yes! You go, girl! I silently cheered, feeling a bit embarrassed about how emotional I was getting watching this movie. But there was a good reason for it. For a year, I’d had to “conceal, don’t feel, don’t let them know” what I’d learned from some diligent and sincere research about my childhood faith. Sharing that information with a few friends in the church got me hauled into a meeting with my local congregation’s preachers and board of trustees.

After a two-hour inquisition, having been told I was to retrieve the dozen or so copies of the book I’d given away, “I went home and told my wife, ‘You are about to witness the intellectual disintegration of your husband.’ Then the years of doubt, fear, and frustration–culminating in being muzzled into silence by a church far more interested in rebuke than reality–boiled over. I collapsed into my wife’s arms in tears, and went to bed for a fitful night.”2

Let it go, let it go

Can’t hold it back anymore

Let it go, let it go

Turn away and slam the door!

After some months, I just couldn’t hold it back anymore, either. My half-hearted promises to stay away from dangerous studies didn’t stick, of course, and I “learned and questioned more about church history, the Bible, and aspects of science that conflicted with important points of doctrine.” I also “lost the energy to continue swimming against the current of the church’s clannish, insular social scene,” which treated my family and me like we all had some dangerous and contagious disease once my doubts became known.

I was ready to “shake off the muzzle” and put into print what had “been swirling around my head and flagged in the pages of my library of books.” The result, An Examination of the Pearl, wound up being more than twice the size of the print-shop copy that had gotten the elders so bent out of shape.

Given the outraged reaction I encountered to a very limited, private distribution of the book, which consisted mostly of church statements and relatively restrained footnotes about those statements, I have no illusions that this published edition will be well received. As Ken Daniels noted about his own book, “whether I take a gentle or harsh approach, I am sure to elicit criticism. The very act of confronting deeply cherished religious convictions is unforgivable to some, regardless of my tactics.”3

Frost on Ponderosa [Flickr page]

I’m not the only one who has been moved by Let it Go as an anthem of liberation from fundamentalism. Blogger “Libby Anne” wrote about that in March 2014, after being shocked at how much her conservative evangelical mother obsessed over the movie. “How could they see Frozen and not realize that it was about self acceptance and freedom from others’ expectations–and moral standards?” she wondered.

When she first watched Let it Go on YouTube,

before seeing the movie in theaters, I completely choked up at the line “no right no wrong, no rules for me.” Tears started streaming down my cheeks. It was beautiful. I grew up in a conservative evangelicalism that I eventually found highly restrictive. As I began to extricate myself, my family and friends put me through a special kind of hell. But even through all of the pain and the tears, I entered into freedom when I left behind their rules, their expectations, their control. This song spoke to so many emotions. I’ve watched it again and again many times since that first time, and each time I’ve achieved some form of catharsis.

It’s now her personal theme song, she says.4 Another blogger, Maranda Russell, says she fell in love with the song as soon as she heard it:

At times in my life I felt like I had to hide my true self to get approval and love from friends, family and the church. I had to pretend to be a “good girl” who never questions anything and believes blindly what I am told. I still feel like many wish I would just shut up and believe what they tell me is true, but I just can’t do that anymore.5

I don’t care

What they’re going to say

Let the storm rage on,

The cold never bothered me anyway!

Maranda admits that “maybe I still care a little (after all I am still human), but I won’t let it rule me.” I did, too, about what I knew my “brothers and sisters in faith” were going to say, but I went ahead anyway. A storm would rage, friendships would be lost–most of those that I’d forged since childhood, it turned out, in a church that discouraged social contact with the outside world.

And the stakes were infinitely higher than what one friend called “social suicide”: Publishing the book against the wishes of the Laestadian Lutheran Church would inevitably be viewed as an act of apostasy, no matter how balanced I tried to be in presenting my findings. Eternal damnation loomed in my future.

To those who tell me my writing was courageous, I reply that it took less courage then what many of them have done–simply walking away. I needed to have my brethren push me out instead, simply for making the facts known, asking difficult questions about them, and refusing to accept the tired old insistence that the most important matter of one’s life “cannot be understood by reason.”

My introduction to the book quoted Clement of Alexandria from 18 centuries earlier: “If our faith is such that it is destroyed by force of argument, then let it be destroyed; for it will have been proved that we do not possess the truth.” Recalling the “faith” of a board member who said he won’t read anything critical about what he supposedly believes,” I asked if that was

really faith in anything other than the people around him who are repeating the old slogans? They, too, are ignoring the facts about their “faith,” making the whole thing a self-sustaining doctrinal bubble that quivers unsteadily in the air, vulnerable to being poked by the slightest intrusion of fact.6

Looking Back [Flickr page]

Now, nearly four years later, these words from Let it Go are exactly my experience:

It’s funny how some distance

Makes everything seem small

And the fears that once controlled me

Can’t get to me at all!

There is simply no fear anymore. And it’s not for any lack of knowledge about what this weird little sect thinks my eternal fate will be. Hell, I still listen to sermons sometimes to get to sleep, because the preachers’ somber, familiar, repetitive intonations send me drifting off faster than anything else. Sometimes I get several nights’ worth of use out of a single sermon, because I start the iPod at different points in the recording and am out within ten minutes.

One correspondent told me, “My old Laestadian world view is gone. If I talk to certain people or listen to sermons I can feel the world view there and experience it sometimes. I don’t think it’s ever coming back, though, and I am the better for it.”

Yes, my friend, you are. And, as Elsa sings out, fully embracing her unique identity and abilities, “one thought crystallizes like an icy blast”: You’re “never going back. The past is in the past!”

———
The picture of Lars Levi wearing Kristoff’s reindeer-hide coat was fair-use adapted from a Frozen wallpaper image and a classic portrait of Lars Levi Laestadius. Take a look online at Laestadius’s sermons and you’ll quickly see what I mean by the “People suck” paraphrase. He was not a happy man. The fictional Kristoff of Frozen seems to have had a more meaningful “conversion” experience with Anna than old Lars ever did.
The other photos are Copyright © 2013-15 Edwin A. Suominen. Click to enlarge, or check out my Flickr photostream. You may freely use them for non-commercial purposes, with attribution, under the Creative Commons Attribution-NonCommercial 3.0 Unported License.
See the online Dictionary of Christianese for an interesting discussion of the expression “frozen chosen.”

Notes


  1. Wikipedia, Let it Go

  2. An Examination of the Pearl, §1.2 (“Introduction–Disputation– The June 2010 Edition”). 

  3. §1.2 (“Introduction–Disputation–Alienation”), quoting Ken Daniels, Why I Believed: Reflections of a Former Missionary (self- published, 2010). 

  4. “Let It Gay? Subversive Messages from Disney’s Frozen,” Love, Joy, Feminism blog, March 4, 2014 

  5. “What the Disney ‘Frozen’ song ‘Let It Go’ means to me,” Maranda Russell blog (April 25, 2014). 

  6. §1.2, quoting from Clement’s Stromata, 6.10.80. William Wilson’s translation, freely available online, goes as follows: “But if the faith (for I cannot call it knowledge) which they possess be such as to be dissolved by plausible speech, let it be by all means dissolved, and let them confess that they will not retain the truth. For truth is immoveable; but false opinion dissolves.” 

 

Tuesday, September 22, 2015

The Forgiver

For we, like children frightened of the dark

Are sometimes frightened in the light–of things

No more to be feared than fears that in the dark

Distress a child, thinking they may come true.

—Lucretius, On the Nature of Things, c. 50 BC, tr. Ronald Melville.
Forbidden fruit: The new Receiver tries to do some giving.
Review: The Giver by Lois Lowry. Houghton Mifflin (1993). Movie adaptation produced by The Weinstein Co. (2014).

The other week, I watched The Giver on DVD with my wife and a few of my kids. It’s a 2014 film adaptation of Lois Lowry’s 1993 book about a future collectivist society that does away with all but a bland, utilitarian remnant of human emotion and ambition. “The community” has even eliminated history from the minds of its people, with one significant exception.

A single chosen individual, the “Receiver of Memory,” is designated to take care of recalling past civilizations and events. This exalted and burdened person is set apart with an exclusive collection of books and memories, which he keeps to himself except to cryptically advise the Elders in their decision-making.

Eventually, the Receiver takes on an apprentice, to whom he passes all that knowledge and memory. The selection of a new Receiver “is very, very rare,” as the community’s Chief Elder tells her community at the Ceremony of Twelve,1 where young people are being assigned their occupations with much fanfare, and without any say in the matter. “Our community has only one Receiver. It is he who trains his successor.”2

The story’s hero, Jonas, is named as that successor. “I thought you were The Receiver,” Jonas tells him during their first teaching session, “but you say that now I’m The Receiver. So I don’t know what to call you.” Call me The Giver, the old man says.3 And from him Jonas goes on to learn some amazing and troubling things. His life will never be the same again.

———

Around the end of 2010, one of my daughters had been assigned the book in school, and I wound up reading it myself. At the time, I was in the early stages of researching the doctrine and history of my old church. The things I was starting to learn would turn my own life upside-down and result in my first book, An Examination of the Pearl, about a year later.4

I was stunned by the parallels between Lowry’s sheltered, intellectually stunted community and the “Kingdom of God” in which I’d been struggling. After a lifetime as one of “God’s children,” I’d finally started to look at my odd little church in a clear-headed way. What I was seeing disturbed me a great deal, and so I put together a listing of church writings with footnotes stating some of my concerns. I had it printed and bound into a dozen softcover copies that I shared with a few friends in the church. Oops.

In September 2010, I was hauled before the church board of trustees and preachers for a stressful, coercive, and emotional meeting about my little copy-shop book. “Are you really believing?” I was asked. Beyond some concern about how I could dispute what “God’s Word” teaches regarding Adam and Eve and Noah’s Ark, there wasn’t much substantive discussion of what the book actually had to say. It was mostly about me for having said it.

Repent or Else

They told me the book was an expression of my doubts, which would have been best kept to myself or private conversations. It could be dangerous if it fell into the wrong hands, they said. It would leave the impression among outsiders that there are dif­ferences of opinion in “God’s Kingdom.” And it is certainly not something that believers should be reading. After over two hours of this, the meeting concluded with the understanding that I was to retrieve copies of the book.5

Just a few months after that experience, here I was reading about a closed community of myriad rules and “appropriate remorse” and public apologies, where uncomfortable history was extinguished from memory, where intractable rule-breakers were released to “Elsewhere.” And I was seeing a frightful near-future version of myself in Jonas, not some lofty hero but simply a wide-eyed seeker of truth–unable to tolerate cen­sorship and propelled by an irresist­ible call to look at reality, at long last, come what may.

Comparing Lowry’s all-controlling community with Christian funda­mentalism doesn’t seem to be a unive­rsal or even a com­mon interpretation of her book,6 but she would be happy to let me keep it as my own. “A book, to me, is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does.” And I was certainly interested to see her recall a “man who had, as an adult, fled the cult in which he had been raised” telling her “that his psychiatrist had recommended The Giver to him.”7

———

The first thing that jumped out at me was the rigid structure of rules that govern life both in Lowry’s dystopia and for the “believers” in the Laestadian Lutheran Church. Community members are careful to maintain “precision of language,”8 while believers do not swear, tell dirty jokes, or speak light-heartedly about faith matters. Each family unit of the community receives two children–no more–while believing parents are to accept as many children as they are “given”–no less. Community girls are instructed to keep their hair ribbons “neatly tied at all times”9 while believing girls are instructed not to wear earrings, make-up, or spaghetti straps.

Even a minor rule like the one against bragging (there is “never any comfortable way to mention or discuss one’s successes without breaking the rule against bragging, even if one didn’t mean to”) is best followed by steering clear of occasions where breaking it would be too easy.10 Thus believers have restrained themselves from playing violins in orchestras where they might get “puffed up” in their talents, even if they would just be one of many players helping to produce one of the few types of music to which they can listen in good conscience. Thus many an athletic Laestadian boy has walked home while his unbelieving sort-of friends go off to football practice. God’s glory must not be given to another, and the world cannot become too close.

And then there are those Stirrings, which begin for young Jonas with a dream about a girl his age. He describes it to his parents during a “sharing-of-feelings” rap session they are expected to do over dinner each day. (“Be free,” the board members would tell us during the many congregational meetings of my youth.) In the dream, he and the girl were in front of a tub in the House of the Old, where the elderly get cared for in their final days.11

“I wanted her to take off her clothes and get into the tub,” he explained quickly. “I wanted to bathe her. I had the sponge in my hand. But she wouldn’t. She kept laughing and saying no.”

His father asks Jonas about the strongest feeling he experienced during the dream.

“The wanting,” he said. “I knew that she wouldn’t. And I think I knew that she shouldn’t. But I wanted it so terribly. I could feel the wanting all through me.”12

His parents look at each other and Jonas is then told about the Stirrings.

He had heard the word before. He remembered that there was a reference to the Stirrings in the Book of Rules, though he didn’t remember what it said. And now and then the Speaker mentioned it. ATTENTION. A REMINDER THAT STIRRINGS MUST BE REPORTED IN ORDER FOR TREATMENT TO TAKE PLACE.13

In the dystopia of The Giver, the treatment is medication, taken every day to deaden a person’s natural sex drive until it finally disappears in old age. In Laestadianism, the treatment is the forgiveness of sins–dispensed in a sermon every Sunday and, if parents are following recommended procedure, in the words of absolution being preached to their children at bedtime every night.

Believe all sins forgiven in Jesus’ name and precious blood, the young innocents are told, night after night by parents or siblings. That proclamation offers redemptive relief for all sins, and does the job in most cases, certainly from sinful thoughts of providing erotic bathing assistance to the cute girl or boy next door. If one’s Stirrings have moved beyond mere fantasy to masturbation or–heaven forbid–to a little kissing and heavy petting behind the garage where the yard light don’t shine, guilt pangs may persist despite the generic assurance of forgiveness. The preachers recommend confession in such cases.

The assembled community: Looks a lot like church to me.

Confession was a big deal in Laestadianism during my childhood. Most sins beyond mere impure thoughts, doubts, etc. were considered to remain on the conscience until one had spoken of them “by name.” It was not an absolute requirement to confess, but was widely expected, at least for those infractions falling into a non-biblical category of “name sins,” a category that was often referred to but never very specifically defined.14 A 1978 article from the church newsletter pretty well encapsulates how things were back then:

It is never an easy matter to repent of sins for the flesh fights against the Spirit. But sin has a name, and those named sins will not go away without our speaking of them to a dear brother or sister. We are assured that we can freely go to a dear one and open our heart. But those sins that have affected the congregation of God are to be re­pented of before the con­gregation; otherwise we will not receive freedom.15

That last part about repentance before the congregation offers a hint of the public confessions that people often made after the Sunday morning service when I was a kid. In my congregation and at least some others in North America, members would head up to the front of the church after the ser­mon and ask the en­tire con­gregation for forgiveness of various sins.

During the congregational “caretaking” meetings that were a regular Saturday night event, where some issue or person(s) of concern would be discussed with much emotion, such repentances would go on and on.16 I’ll always remember one of them in particular, from a young father who dutifully walked up to the microphone and asked forgiveness of the congregation for “reading filthy literature.” Poor guy. It was probably just a paperback novel with a vague sex scene or two.

With all those memories in my head, you can see why I saw some Laestadian parallels in Jonas’s recollection of his friend Asher showing up late to class:

“When the class took their seats at the conclusion of the patriotic hymn, Asher remained standing to make his public apology as was required.”

“I apologize for inconveniencing my learning community.” Asher ran through the standard apology phrase rapidly, still catching his breath. The Instructor and class wait­ed patient­ly for his ex­planation. The students had all been grinning, because they had listened to Asher’s explanations so many times before.

“I left home at the correct time but when I was riding along near the hatchery, the crew was separating some salmon. I guess I just got distraught, watching them.

“I apologize to my classmates,” Asher concluded. He smoothed his rumpled tunic and sat down.

“We accept your apology, Asher.” The class recited the standard response in unison.17

“I’d like to ask forgiveness for, er, reading filthy literature,” the Laestadian Asher stammered, looking down at the floor. Believe all your sins forgiven in Jesus’ name and blood, replied the congregation with their standard response, in unison.

———

Back in those bad old days, there was another chilling parallel to The Giver. It was release from the community, the Laestadian form of which we called “binding.” Believers would be bound in their sins, and any requests they made to be forgiven would be denied unless it was decided that they were being specific and penitent enough about the issue at hand. Usually, there was some “false spirit” at the heart of the matter, which needed to be exorcised by being named in the confession.

This was a sad outcome of many “care­taking meet­ings” that were common­ly held to discuss the spiritual state of individual congregation members. Such a meeting was considered the third step in Jesus’ instructions regarding the rebuke of a brother who has caused offense (Matt. 18:15-16). Offense was taken not so much for individual actions against another member but as a result of the wayward one’s observed sins (e.g., acquiring a television) or erroneous doctrinal views.

In a 1971 newpaper article, the Finnish counterpart to my North American Laestadian church had set forth the binding procedure in no uncertain terms: “If the ones spoken to do not humble themselves to repentance, consider them pagans and publicans and refuse them membership in the association. The disobedient are not to be greeted with the greeting of God’s children.” My old church took “precisely the same stand in America” three years later.18

“For a contributing citizen to be released from the community was a final decision, a terrible punishment, an overwhelming statement of failure.”19 In The Giver, release was just to “Elsewhere.” Nobody but the Planning Committee knew exactly where the released person went.20 We readers, along with a wiser and sadder Jonas, come to realize that release actually involves death, not mere departure.

The horror and injustice of the community killing off its members–not just for disobedience, but for perceived unfitness at birth or just running out the clock on one’s old age–is what propels Jonas to take drastic action as the apprentice Receiver. Obviously, it would be a stretch to draw much of a parallel there, but it’s worth mentioning what a sad impact the Laestadian practice of binding did have on people.

Beyond the gate: Actually a good place to be. [Flickr page]

I personally witnessed it several times as a youth. It is quite unforgettable to see people ask the congregation for forgiveness at a meeting held concerning their spiritual affairs and receive only cold silence as a response. Sometimes they would sit gamely at their table at the front of the church while the meeting continued to the bitter end, often late into the night. And sometimes they would reach their breaking point and storm out of the building, ending the meeting of their own accord. I saw it go either way. Both outcomes were heartbreaking to the subjects as well as the congregation members who sincerely believed that the soul of their brother or sister hung in the balance that night.

There could be a good deal of secret resentment even when one had jumped through the hoops set before him. Grumbling behind the back of the church elders was the only possible relief. To approach them with concerns about their activities carried the very real danger of seeming unrepentant and becoming subject to yet another meeting. Instead, for a couple of years to come, the public face remained one of compliance and thankfulness for the opportunity of correction. In many cases the corrected one was probably so beaten down by the experience as to feel a Stockholm-syndrome sense of gratitude.21

The last case of binding I’ve heard of happened ten years ago, and that’s quite a late anomaly. The Finnish counterpart to my old church issued an apology of sorts in 2011 for “errors [that] were able to expand almost everywhere in our Christianity,” though it puts the blame on individuals rather than the supposed­ly inerrant community, er, Mother con­gregation.22 But the trauma and col­lective memory of it still lurks behind the rebukes taking place in every private board meeting with a wayward believer. There is usually no alternative but to accept what you are told and repent of your supposed sin if you want to continue being considered “heaven acceptable.”

———

One “morning, for the first time, Jonas did not take his pill. Something within him, something that had grown there through the memories, told him to throw the pill away.”23 He has gotten some of the forbidden knowledge into his head, and a bit of color has started seeping into his black-and-white world.

It hasn’t been an altogether pleasant transformation:

He found that he was often angry, now: irrationally angry at his groupmates, that they were satisfied with their lives which had none of the vibrance his own was taking on. And he was angry at himself, that he could not change that for them.

He tried. Without asking permission from The Giver, be­cause he feared–or knew–that it would be denied, he tried to give his new awareness to his friends.24

The reactions are mixed. Asher gets uneasy when Jonas tells him to look at some flowers very carefully, wondering if something is wrong. In the film adaptation, Fiona (the girl of Jonas’s bathtub dream) takes more readily to this scary new Jonas and his crazy ideas. “There is something wrong. Everything’s wrong. I quit,” Jonas tells her in response to the same question Asher had asked.25 He persuades her to quit taking her own stirring-stopper medication, too, and some difficult consequences ensue.

Ultimately, the Receiver of Memory cannot remain in the community. He knows too much. He feels too much. The community insists on keeping itself ignorant of what he has learned. It will not raise up its eyes from the safe grey sameness of doctrinal familiarity to look–really look–at the world he now sees all around.

“Listen to me, Jonas,” the old Giver tells a sobbing Jonas. “They can’t help it. They know nothing.”26 And then Jonas leaves the community of his birth and up­bring­ing, to a new and scary but joy­ous place–outside for the first time, inside never again, and the better for it.

———
The film (IMDb page) hasn’t been highly rated by critics or viewers. But I loved it, and not just because of the connection I felt with the story. The book is a Newberry Medal winner and has sold more than 10 million copies.
The three screenshots are from The Giver film, reproduced under “fair use” for purposes of review and commentary. The photo is Copyright © 2013 Edwin A. Suominen. Click to enlarge, or check out my Flickr photostream. You may freely use it for non-commercial purposes, with attribution, under the Creative Commons Attribution-NonCommercial 3.0 Unported License.

Notes


  1. “Ceremony of Advancement” in the film adaptation, since it has the kids being 16 years old, not 12, at the time their assignments are given (DVD playback at 06:50). 

  2. The Giver, p. 61. 

  3. p. 87. 

  4. Self-published January 2012, for Amazon Kindle, in print, and available for free reading at examinationofthepearl.org

  5. Adapted from An Examination of the Pearl, Section 1.2, “Disputation.” 

  6. Daniel D’Addario, “Lois Lowry: The dystopian fiction trend is ending,” Salon (July 10, 2014). salon.com/​2014/07/10/​lois_lowry_the_dystopian_fiction_trend_is_ending. Lowry: “People who are very conservative and feel they represent family values find that in this book. And ultraliberal people the same thing will hold true at the other end of spectrum. It happens also with theology, they’ll find it. I’ve had very conservative Baptist churches use the book as part of religious cur­riculum. Also ultra­conservative religious groups want it banned. It’s something that speaks to whomever wants to hear it. I have no control over that. I did not plan any specific political or theological interpretation, but people seem to find it.” 

  7. Lois Lowry, “Reflecting on 20 Years of The Giver,” Huffington Post (June 24, 2014). huffingtonpost.com/​lois-lowry/​the-giver-movie_b_5527063.html

  8. Once, before the midday meal at school, Jonas had said, “I’m starving.” Oops, that was a no-no. “Immediately he had been taken aside for a brief private lesson in language precision. He was not starving, it was pointed out. He was hungry. No one in the community was starving, had ever been starving, would ever be starving. To say ‘starving’ was to speak a lie. An unintentioned lie, of course. But the reason for precision of language was to ensure that un­intent­ional lies were never uttered. Did he understand that? they asked him. And he had” (pp. 70-71). 

  9. p. 23 

  10. p. 27. 

  11. Until being killed off, that is, in a nice little “release” ceremony that nobody seems to really recognize for what it is. 

  12. p. 36. 

  13. p. 37. 

  14. The following excerpt from An Examination of the Pearl, at the end of Section 4.6.3, provides some context about the Laestadian concept of “name sins”: It “is probably based on the ‘mortal sins’ that in Catholic theology must be confessed by name: ‘All mortal sins of which penitents after a diligent self-examination are conscious must be recounted by them in confession, even if they are most secret . . .’ (Catechism of the Catholic Church, para. 1456). But Luther downplayed and criticized the distinction between mortal and venial sins, criticizing theologians who ‘strive zealously and perniciously to drag the consciences of men, by teaching that venial sins are to be distinguished from mortal sins, and that according to their own fashion’ (Discussion of Confession, 89-90). Not all sins of either type ‘are to be confessed, but it should be known that after a man has used all diligence in confessing, he has yet confessed only the smaller part of his sins.’ Furthermore, he wrote, ‘we are so far from being able to know or confess all the mortal sins that even our good works are damnable and mortal, if God were to judge with strictness, and not receive them with forgiving mercy. If, therefore, all mortal sins are to be confessed, it can be done in a brief word, by saying at once, “Behold all that I am, my life, all that I do and say, is such that it is mortal and damnable”’” (p. 89). 

  15. Voice of Zion, October 1978. 

  16. These two paragraphs are adapted, with the quotation, from An Examination of the Pearl, Section 4.6.3, “Confession.” The psychological health of the current generation of Laestadians owes much to a greatly reduced emphasis on confession, and public confessions are now pretty much unheard of. 

  17. The Giver, pp. 3-4. 

  18. Päivämies No. 29, 1971, and then Voice of Zion, October 1974. These two paragraphs are adapted, with quotations, from An Examination of the Pearl, Section 4.6.4, “Rebuke.” 

  19. The Giver, p. 2. 

  20. p. 32. 

  21. These two paragraphs are also adapted from An Examination of the Pearl, Section 4.6.4. 

  22. See An Examination of the Pearl, Section 4.10.2 (“Rethinking the 1970s”). 

  23. The Giver, p. 129. 

  24. p. 99. 

  25. Film, DVD playback at 52:19. 

  26. p. 153. 

 

Friday, August 2, 2013

Hawaii

Adjoining one side of the Square was the great Morai, where there stood a kind of steeple ‘anu’u that ran up to the height of 60 or 70 feet, it was in square form, narrowing gradually towards the top where it was square and flat; it is built of very slight twigs & laths, placed horizontally and closely, and each lath hung with narrow pieces of white Cloth…. next to this was a House occupied by the Priests, where they performed their religious ceremonies and the whole was enclosed by a high railing on which in many parts were stuck Sculls [sic.] of those people, who had fallen victims to the Wrath of their Deity.
—George Vancouver, Ship’s Journal, c. 1793
Hikiau Heiau at Kealakekua Bay  [Flickr page]

There is a dark side to the past of almost every human culture, and that of Hawaii is no exception. Today I looked at the remains of a heiau, a temple where humans were sacrificed to appease the gods. The influence of the new haole religion finally put a stop to all that; one sacrifice some 1800 years earlier was enough to get the job done.

All’s quiet on the sacrificial temple now, centuries later.  [Flickr page]

A much more pleasant to contemplate, if modest, Hawaiian cultural encounter was one I had with a gentleman named Sam just a few miles north of the Hikiau Heiau site. He showed up with his ukulele at the Keahou Beach park south of Kailua-Kona, Hawaii.

Sam the Singer  [Flickr page]

Sam played and sang away under the pavilion at the park with no tip jar, hat, or open instrument case in sight. Sure, he probably accepts the donations that surely come his way from tourists, and that may even be a motivation for him to be there. But he really did seem to be doing this for the pure pleasure of it, too. When he saw that I was filming him, there was a noticeable extra bit of enthusiasm in his voice. He happily gave permission for this video to be posted, and told me the song is Wahine ’Ilikea by Dennis Kamehama.

When we left, Sam was sitting on one of the picnic tables under the pavilion so that the little Asian boy next to him could watch him play and get in the picture being taken by his parents.

Maybe it’s tourist kitsch, a diluted echo of Hawaiian culture infused with California surfer and pandering to the Hollywood view of the Islands. But I’d say it beats human sacrifice any day.

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Click on individual images to enlarge, or check out their photo pages in my Flickr photostream. All are Copyright © 2013-14 Edwin A. Suominen. You may freely use them for non-commercial purposes, with attribution, under the Creative Commons Attribution-NonCommercial 3.0 Unported License.

Thursday, June 20, 2013

Finale

Apparently, if people cannot find satisfactory social contacts in a small group, they attempt to compensate by forming pseudo-contacts with celebrities, who have been converted into super-optimal stimuli by the visual magic of television.
—Paul R. Ehrlich, Human Natures: Genes, Cultures and the Human Prospect

Except for some teenage rebellion and a few lapses duly confessed and absolved, I didn’t start watching TV or movies until recently. My old church isn’t just opposed to R rated movies; everything dramatized is off-limits. If there is acting going on, and it’s not just some historical reenactment in a documentary or something, then it’s probably not suitable material for a child of God.

Even now, over a year after leaving the religion in a very public way, I still don’t have any live connection—no antenna, no cable. Just Netflix and iTunes. Wasting brain cells watching commercials, slanted “news” coverage, or pointless gladiator matches between overpaid sweaty men is not something I’m ever likely to do.

James Gandolfini, aka Tony Soprano, in 2011.

But drama fascinated me, and still does. With a lot of catching up to do on my pop culture, I consulted Google for lists of the best dramatic TV shows. One of the tops in the search results was some mafia show called The Sopranos, and I bought an episode on iTunes.

There were ducks in a swimming pool, a creepy overweight mafia don who looked uncomfortably similar to a certain relative of mine, and a shrink’s round office. Weird stuff, I thought, but let’s give it a chance.

Another episode. Now I started getting into it, appreciating the subplots, the characters, the wry humor. Fine, I said to iTunes, go ahead and “complete my season”—the first one, over ten years after it first aired.

Then another season, and another. I savored each episode of every one of those six seasons (except for the disjointed and maddening finale. The mob violence wasn’t pretty, but as the star of the show remarked about his subject matter in an interview, “These aren’t nice people.”

Brief light before darkness [Flickr page]

That star, James Gandolfini, is now dead at age 51. It feels odd to be feeling sad and reflective about the loss of a person I’ve never met, who never knew of my existence, who made a fortune from his appearances on my iPad screen and millions of TV screens around the country. I’m certainly not alone in feeling this way; Gandolfini’s death is headline news, and you don’t have to look far on the Internet to find eulogies by devoted Sopranos fans. The fact is that many of us have spent more time in the virtual presence of this man, as mob boss Tony Soprano, than with our next-door neighbors or the parents of our kids’ friends.

Avoiding this artificial, one-way social situation is one thing that my old church gets right. Its rejection of dramatized video keeps members from taking the easy way out. Instead of just filling their hours with images and sounds of story people, they interact with real ones across the coffee table or living room. Their spouses and kids are usually friends with each other’s spouses and kids, too.

It is a closed little society, self-assured and self-contained, but for many there, it works. And when it is working for you—with the right network of siblings and cousins, shared interests, willingness to toe the party line about religion and politics—it can seem like there is no better place on earth to be.

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Photo of Gandolfini by Gordon Correll. Regarding the Sopranos finale, see the Wikipedia article on the series. Regarding the LLC’s rejection of dramatized video (now widely ignored by everyday members), see An Examination of the Pearl, §4.6.1 – Entertainment.